100 Transcendental Studies, Nos. 1-25 Kaikhosru Shapurji Sorabji

This album has an average beat per minute of 97 BPM (slowest/fastest tempos: 62/168 BPM).

BPM Profile 100 Transcendental Studies, Nos. 1-25

Album starts at 73BPM, ends at 65BPM (-8), with tempos within the 62-168BPM range.
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Tracklist 100 Transcendental Studies, Nos. 1-25

Recent albums by Kaikhosru Shapurji Sorabji

100 Transcendental Studies, Nos. 44-62

2010

100 Transcendental Studies, Nos. 26-43

2009

The Complete Songs for Soprano

2003

Piano Music and Transcriptions

2003

Piano Music

1987

100 Transcendental Studies, Nos. 1-25 Kaikhosru Shapurji Sorabji

100 Transcendental Studies, Nos. 1-25

BPM Profile 100 Transcendental Studies, Nos. 1-25

Tracklist 100 Transcendental Studies, Nos. 1-25

100 Transcendental Studies: I. Mouvementé

100 Transcendental Studies: II. Vivace e leggiero

100 Transcendental Studies: III. (untitled)

100 Transcendental Studies: IV. (Scriabinesco)

100 Transcendental Studies: V. Staccato e leggiero

100 Transcendental Studies: VI. (untitled)

100 Transcendental Studies: VII. Leggiero abbastanza

100 Transcendental Studies: VIII. (untitled)

100 Transcendental Studies: IX. Staccato e leggiero

100 Transcendental Studies: X. Con brio ed impeto - Volante

100 Transcendental Studies: XI. (Animato abbastanza)

100 Transcendental Studies: XII. Leggiero quasi 'saltando'

100 Transcendental Studies: XIII. (untitled)

100 Transcendental Studies: XIV. Tranquillamente soave

100 Transcendental Studies: XV. (untitled)

100 Transcendental Studies: XVI. (untitled)

100 Transcendental Studies: XVII. Molto accentato

100 Transcendental Studies: XVIII. Liscio. Tranquillamente scorrevole

100 Transcendental Studies: XIX. Saltando e leggiero

100 Transcendental Studies: XX. Con fantasia

100 Transcendental Studies: XXI. Con eleganza e disinvoltura

100 Transcendental Studies: XXII. Leggiero volante e presto assai

100 Transcendental Studies: XXIII. Dolcemente scorrevole

100 Transcendental Studies: XXIV. Con fantasia e grazia

100 Transcendental Studies: XXV. Vivace e secco