Thérèse Raquin Tobias Picker

This album has an average beat per minute of 119 BPM (slowest/fastest tempos: 72/180 BPM).

BPM Profile Thérèse Raquin

Album starts at 127BPM, ends at 80BPM (-47), with tempos within the 72-180BPM range.
(Try refreshing the page if dots are missing)

Tracklist Thérèse Raquin

Thérèse Raquin: Act I, Scene I. “She watched me painting along the Seine” (Laurent)

5'47

84 BPM

Thérèse Raquin: Act I, Scene I. “Be careful! Madame Raquin will hear us” (Laurent)

2'22

142 BPM

Thérèse Raquin: Act I, Scene I. “When we were little children” (Thérèse)

4'23

109 BPM

Thérèse Raquin: Act I, Scene II. “Thank-you, thank-you, Suzanne” (Madame)

2'59

180 BPM

Thérèse Raquin: Act I, Scene II. “I remember” (Suzanne, Madame)

2'33

171 BPM

Thérèse Raquin: Act I, Scene II. “Good evening, Madame Raquin” (Olivier)

0'49

Thérèse Raquin: Act I, Scene II. “Good evening. Good evening” (Grivet)

1'15

119 BPM

Thérèse Raquin: Act I, Scene II. “At half past five” (Grivet)

1'31

Thérèse Raquin: Act I, Scene II. “Once there was a servant girl” (Olivier)

3'16

132 BPM

Thérèse Raquin: Act I, Scene II. “We'll recall when years have passed” (Madame)

4'05

132 BPM

Thérèse Raquin: Act I, Scene II. “Let the game begin!” (All)

1'18

72 BPM

Thérèse Raquin: Act I, Scene III. “We must have walked three hours or more” (Camile)

2'59

132 BPM

Thérèse Raquin: Act I, Scene III. “You were with me” (Thérèse)

6'37

106 BPM

Thérèse Raquin: Act I, Scene III. “Come on, wake up” (Camille)

3'06

80 BPM

Recent albums by Tobias Picker

The Encantadas / Romances and Interludes (Houston Symphony, Christoph Eschenbach)

1991

Violin Concerto / When Soft Voices Die / Rhapsody / Sextet No. 3 / Romance

1991

Symphony No.2 (Houston Symphony Orchestra feat. conductor Sergiu Commisiona; soprano: Leona Mitchell) /String Quartet No.1 (Mendelssohn String Quartet)

1990

Thérèse Raquin Tobias Picker

Thérèse Raquin

BPM Profile Thérèse Raquin

Tracklist Thérèse Raquin

Thérèse Raquin: Act I, Scene I. Introduction

Thérèse Raquin: Act I, Scene I. “Thérèse. Thérèse. Thérèse” (Madame)

Thérèse Raquin: Act I, Scene I. “Thérèse needs a change of scenery” (Camille)

Thérèse Raquin: Act I, Scene I. “Like a ghost he stood before us” (Laurent)

Thérèse Raquin: Act I, Scene I. “She watched me painting along the Seine” (Laurent)

Thérèse Raquin: Act I, Scene I. “Be careful! Madame Raquin will hear us” (Laurent)

Thérèse Raquin: Act I, Scene I. “When we were little children” (Thérèse)

Thérèse Raquin: Act I, Scene II. “Thank-you, thank-you, Suzanne” (Madame)

Thérèse Raquin: Act I, Scene II. “I remember” (Suzanne, Madame)

Thérèse Raquin: Act I, Scene II. “Good evening, Madame Raquin” (Olivier)

Thérèse Raquin: Act I, Scene II. “Good evening. Good evening” (Grivet)

Thérèse Raquin: Act I, Scene II. “At half past five” (Grivet)

Thérèse Raquin: Act I, Scene II. “Once there was a servant girl” (Olivier)

Thérèse Raquin: Act I, Scene II. “We'll recall when years have passed” (Madame)

Thérèse Raquin: Act I, Scene II. “Let the game begin!” (All)

Thérèse Raquin: Act I, Scene III. “We must have walked three hours or more” (Camile)

Thérèse Raquin: Act I, Scene III. “You were with me” (Thérèse)

Thérèse Raquin: Act I, Scene III. “Come on, wake up” (Camille)

Recent albums by Tobias Picker

The Encantadas / Romances and Interludes (Houston Symphony, Christoph Eschenbach)

Violin Concerto / When Soft Voices Die / Rhapsody / Sextet No. 3 / Romance

Symphony No.2 (Houston Symphony Orchestra feat. conductor Sergiu Commisiona; soprano: Leona Mitchell) /String Quartet No.1 (Mendelssohn String Quartet)