Act 1: Scene 2: Air en rondeau: Plein de trouble et d'effroi Christoph Willibald Gluck

84 BPM

Act 1: Scene 2: Air en rondeau: Plein de trouble et d'effroi is played at 84 Beats Per Minute (Andante), or 28 Measures/Bars Per Minute.
Time Signature: 3/4.

Use our Online Metronome to practice at a tempo of 84BPM.
Find popular 84BPM songs
Get Act 1: Scene 2: Air en rondeau: Plein de trouble et d'effroi Song Key

Similar Songs

Find similar songs (100) that will sound good when mixed with Act 1: Scene 2: Air en rondeau: Plein de trouble et d'effroi by Christoph Willibald Gluck. You'll find below a list of songs having similar tempos and adjacent Music Keys for your next playlist or Harmonic Mixing.

Top Songs Christoph Willibald Gluck

Act 1, Scene 3 - Air "Si les doux accords de ma lyre" (L'Amour)

Orphée et Eurydice, Berlioz version (Monteverdi Choir, Orchestre de l'Opéra de Lyon feat. conductor: John Eliot Gardiner)

L'innocenza giustificata: Parte I, Scena IV. "Ed io qui resto ancor?"

L'innocenza giustificata (Cappella Coloniensis, feat. conductor: Christopher Moulds, singers: Bayo, Karasiak, De Liso, Cangemi)

Act 1: Scene 3: Air: Si les doux accords de ta lyre

Orphée et Eurydice (vocals: Juan Diego Florez, Ainhoa Garmendia, Alessandra Marianelli; cond: Jesus Lopez-Cobos; orch: Coro y Orquesta Titular del Teatro Real)

Alceste (Italian version): Act I, Scene 2. "Io non chiedo, eterni Dei"

Alceste

Semiramis: No. 5. Moderato

Don Juan / Semiramis (Tafelmusik On Period Instruments feat. conductor: Bruno Weil)

Act 1: Scene 2: Air en rondeau: Plein de trouble et d'effroi Christoph Willibald Gluck

Audio Profile

Similar Songs

Top Songs Christoph Willibald Gluck

Act 1, Scene 3 - Air "Si les doux accords de ma lyre" (L'Amour)

L'innocenza giustificata: Parte I, Scena IV. "Ed io qui resto ancor?"

Act 1: Scene 3: Air: Si les doux accords de ta lyre

Alceste (Italian version): Act I, Scene 2. "Io non chiedo, eterni Dei"

Semiramis: No. 5. Moderato